STORE

Pineoak Productions The Offering <p style=\"text-align: center;\"><span style=\"color: #ffffff;\">The Offering print Double Matted and Unmatted</span></p><p> </p><p style=\"text-align: center;\"><span style=\"color: #ffffff;\">Signed and numbered limited edition 290</span></p><p> </p><p style=\"text-align: center;\"><span style=\"color: #ffffff;\">Acrylic on gessoed hardboard</span></p><p> </p><p style=\"text-align: center;\"><span style=\"color: #ffffff;\"> This painting always makes me happy. It reminds me of happy days when I used to drive from my place in Edmond, OK down to Real and Muff Musgrave\'s place near Love Field in Dallas. Usually, Real and I would drink coffee, smoke our pipes, and tell each other stories until the sun came up. Muff was incredibly patient with me. Little by little, she and Real were teaching me how to set up and run a viable operation as an artist. Why? Just because they were good people and I needed to be taught. This began as a doodle on one of those long lazy evenings. </span></p><p> </p>
$35.00

The Offering

$35.00
The Offering

The Offering

$35.00
Missing Option: Matted or Unmatted
Matted or Unmatted
  • Unmatted
  • Double Matted
Loading Available Options
Maximum quantity exceeded
Minimum purchase amount of 0 is required
Maximum purchase amount of 0 is allowed
Your Price: $35.00
35.000
A one-time price of $35.00 will be added to your order.
240 Left in Stock
*A one-time handling fee of $3.00 will be added to your shipping total at checkout.
Categories: Prints
Facebook
Twitter
Email
Pinterest
Google+
LinkedIn
  • Description

The Offering print Double Matted and Unmatted

 

Signed and numbered limited edition 290

 

Acrylic on gessoed hardboard

 

This painting always makes me happy. It reminds me of happy days when I used to drive from my place in Edmond, OK down to Real and Muff Musgrave's place near Love Field in Dallas. Usually, Real and I would drink coffee, smoke our pipes, and tell each other stories until the sun came up. Muff was incredibly patient with me. Little by little, she and Real were teaching me how to set up and run a viable operation as an artist. Why? Just because they were good people and I needed to be taught. This began as a doodle on one of those long lazy evenings.